Iberianature

Goya was one of the first landcape painters. He had other motives than depicting pretty scapes. Here below Attack on a Coach Asalto de la diligencia (1787 and 1783 below)

From Classical connections – commentary and critique “Goya (1746-1828) undermines faith in order, showing instead the isolated forest where disorder reigns: travelers plead for their lives to murderous but indifferent bandits whose ruthlessness is more a reflection of nature than inherently cruel. The dead bodies of coachmen bleeding away to senselessness are no deterrent to further savagery. Goya does not predict the outcome of this tragedy, rather invites viewers to speculate in clinical abstraction about the amoral motives of robbers and the plight of travellers. As the first of two similar scenes of robbers attacking carriages, the other a smaller canvas (43 x 32 cm) in 1793 set in a rocky landscape and now in Madrid, the scene “present a vision of Man’s helplessness before the forces of nature or human wickedness…” Goya’s pitiful surviving travelers have no recourse surrounded only by trees who seem to not hear the screams or last prayers any more than the musket shots and curses. Goya is not glorfying such attacks, only recording the abstract threat of rampant chaos to any civilization foolish enough to think it is safe. ”